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The Objective Eye: Color, Form, and Reality in the Theory of Art, by John Hyman
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“The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium."—Francis Bacon, painter
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This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots.
John Hyman’s The Objective Eye is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? What is the difference between a picture and a written text?� Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye?
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The Objective Eye explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory.� The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find The Objective Eye challenging and absorbing.
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- Sales Rank: #1524365 in eBooks
- Published on: 2006-12-29
- Released on: 2006-12-29
- Format: Kindle eBook
Review
"The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium." - Francis Bacon, painter "I can think of no other philosophical analysis in the last decade or so of comparable value for philosophers and theorists of art." - Michael Podro, author of The Critical Historians of Art"
About the Author
John Hyman is a fellow of Queen’s College, Oxford.
Most helpful customer reviews
3 of 6 people found the following review helpful.
Thoroughly worth reading
By Peter G. Buckley
At last we have a thorough going critique of the subjectivist position. This book is equally suited to those approaching the subject from the philosophical viewpoint and those who are active workers in the fields of visual representation.
2 of 3 people found the following review helpful.
Not very helpful
By Harold Roth
I looked forward to reading this book. I was encouraged by the reviews and by the table of contents. But after spending the past several days with it, I have to say that I have gotten very little out of it at all. Perhaps it is because I do not have a background in philosophy and have not got a lot of patience for it. My background is in lit theory and art history. If you are an artist, I do not think you will find much that is helpful in this book. It's not that I expected anything practical. I expected a theorizing of the problems of depiction in art, including color and form. Instead, I found what seems to me like a lot of quibbling over, for instance, whether something looks like or represents something else. Yes, there is a difference. Does it actually matter? Maybe to philosophers it does. But to artists? I do not think so.
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