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When young aristocratic layabout Marcus Corvinus is approached by the stepdaughter of the exiled and now dead Roman poet Ovid and asked to clear the return of the ashes for burial, he cheerfully agrees; there should, he thinks, be no problem. Only when he makes the application to the imperial authorities it’s turned down flat. So what, Corvinus asks himself, did Ovid do that was so bad that they won’t even allow his bones back into Italy?
The first book in the Marcus Corvinus series.

• Sales Rank: #211414 in eBooks
• Published on: 2015-03-16
• Released on: 2015-03-16
• Format: Kindle eBook

Review
A taut thriller in with Ancient Rome springs to life. --The Times (London)

Wishart takes true historical events and blends them into a concoction so pacy that you hardly notice all those interesting details of Roman life being slipped in...Salve! To the top toga-wearing 'tec!' --Highland News (UK)

About the Author
David Wishart was born in Arbroath, Scotland. He studied Classics at Edinburgh University, and after a spell of teaching Latin and Greek in secondary school retrained as a teacher of English as a Foreign Language, working for various companies in Kuwait, Greece and Saudi Arabia. He returned to Scotland in 1990, and lives in Carnoustie, Angus. His first book, ‘I, Virgil’, was published in 1995; ‘Ovid’ – the first of the Marcus Corvinus series – followed a year later. He is married to Rona and has two children and (currently) four grandchildren.

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0 of 0 people found the following review helpful.
BLAH AND MORE BLAH
By T. L. Spotti
The good news is that the book is well written and expertly researched. The bad news is that it's boring. The plot revolves around the fact that the Roman poet Ovid has died while being banished to some remote hell hole at the very ends of the Roman Empire. The family wants to have his ashes returned for internment in the family tomb. However, the powers that be, forbid it for some unknown reason. Our hero then tries to figure out what the problem is. He does this by engaging in an endless, mind numbing series of extremely long, complex, speculative, conversations with various individuals about what can be done to remedy the situation and who can do it. While doing so, he uses a style of speech that would be appropriate for Nero Wolfe's Archie Goodwin, or the East Side Kids, rather than that of a Roman noble. Someone tries to bump him off a time or three and you find yourself rooting for the bad guys just to shut him up. The book is really not worth the time. This author has the talent to do better.

1 of 1 people found the following review helpful.
Film Noir Detective in Ancient Rome
By EL3
Corvinius is a wine guzzling noble, wise cracking and judgemental. Yet he falls for a lovely lady who makes one simple request, she wants a relatives body brought back to Rome for burial. Sounds easy until he tries to get permission and wades into deep political waters of murder, thuggery and mayhem. Luckily he swims well and is detects even better.

A wonderful series, all of the books are not available here in the US and I hope that is remedied soon.

10 of 12 people found the following review helpful.
Augustus the Idiot
By Patrick L. Boyle
There are only a few sources for the Julio-Claudians. The principal ones are Suetonius and Tacitus. Robert Graves translated the most popular modern version of The Twelve Caesars by Suetonius. He wrote his famous novel 'I Claudius' based on that translation. He however goes further and 'explains' the missing motives and connects the narrative. Basicaly he tells us Livia killed all of her husband Augustus' heirs to make room for her son Tiberius.

Certainly the evil of Livia is an effective plot device. I Claudius became the basis for a terrific TV series. Everyone loves the story of the wicked Romans as Graves recounts it.

But is it credible?

Wishart buys into the Graves notions about Augustus and Livia. However I find the idea that Caesar Augustus never noticed that his wife was killing his progeny very hard to accept.

First of all Augustus was no dummy. He was arguably the most consequential political figure in world history. He did not gain or keep power on the battlefield but at court. He ruled a long time and overcame many enemies. Presumably he had his own information sources. Yet Graves and Wishart would have us believe that his wife deceived him for decades and he never noticed.

Secondly the average life span in Imperial Rome was 22. Everybody was dying all the time. There were no autopsies. When someone mysteriously died it could always be attributed to a political enemy. Sometimes an enemy did apply poison I'm sure - but who knew which of the deceased died of poison and which of bad hygene or bad luck?

For example it is well known that Claudius died of eating an Amanita Phaloides (or Verna) mushroom which was in a bowl of Amanita Caesare mushrooms. Today no one eats the tasty Caesare variety because its so easy to confuse them with the deadly Phalodides. Accidents still happen when the deadly Amanitas are confused with the common Agaricus Campestras that Boy Scout troops like to gather.

Was that Amanita put in his bowl by Agrippina? Or was it just a mistake? We can never really know but poisoning makes for a better story.

I find the Graves version of history to be unconvincing. I was a liitle disappointed to read that Wishart followed that line.

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[P473.Ebook] Ebook Free The Marx Dictionary (Continuum Philosophy Dictionaries) [Paperback] [2012] (Author) Ian Fraser, Lawrence WildeFrom Bloomsbury Academic

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• Published on: 2012
• Binding: Paperback

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[S690.Ebook] Ebook Download Theatre in a Media Culture: Production, Performance and Perception Since 1970, by Amy Petersen Jensen

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As the media have increasingly become the lens through which we see the world, media styles have shaped even the fine arts, and contemporary theatre is particularly indebted to mass media's dramatic influence. In order to stay culturally and financially viable, theatre producers have associated theatrical productions and their promotion with film, television, and the Internet by adopting new theatrical practices that mirror the form and content of mass communication. This work demonstrates how mediatization, or the adoption of the semantics and the contexts of mass media, has changed the way American theatre is produced, performed, and perceived. Early chapters use works like Robert Wilson's 3D digital opera Monsters of Grace and Thecla Schophorst's digitally animated Bodymaps to demonstrate the shifting nature of live performance. Critical analysis of the interaction between the live performer and digital technology demonstrates that the use of media technology has challenged and changed traditional notions of dramatic performance. Subsequent discussion sustains the argument that theatre has reconfigured itself to access the economic and cultural power of the media. Final chapters consider the extent to which mediatization undermines theatrical authorship and creativity.

• Sales Rank: #2342503 in Books
• Brand: Brand: McFarland Company
• Published on: 2007-03-12
• Released on: 2007-03-12
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .52" w x 6.89" l, .70 pounds
• Binding: Paperback
• 227 pages

Features

• Used Book in Good Condition

About the Author
Amy Petersen Jensen is an assistant professor in the Department of Theatre and Media Arts at Brigham Young University in Provo, Utah.

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0 of 0 people found the following review helpful.
A Smart Start
By Let's Get Thoughtful
Amy Petersen Jensen's Theatre in a Media Culture is a thoughtful consideration on the way a mass-media inundated society has significantly changed the way spectators perceive and respond to theatrical works, and altered the way producers and artists put them on. She locates this change within the 20th century's long historical interplay between theatre and technology--from theatre (vaudeville) and film, to theatre and live television, to theatre and the internet. She explores examples of theatre that overtly use technology (screens, robots, etc.) to theatre uses that imply technology, either in subject matter or in staging techniques (like close-ups, slow-motion, etc.--what Jensen calls "directed focus"). She is most interested, though, in how the mass-mediated lives of spectators have fundamentally, phenomenologically altered the way viewers actually perceive theatre, whatever happens to be onstage. She calls the spectator's body (using Homi Bhabha's term) an interstitial space between theatre and media, transforming and solidifying the spectator as more active than passive in her meaning-making capabilities. Presence (mediated by emotional and visual proximity, not necessarily actual liveness) and nostalgia become more important than displays of actual reality.

While she states that she is interested in the spectator's occupation of a hybrid space between media and theatre, she never really gets at the subtleties of this suggestion, instead looking at how spectators relate in on-line chats, or sing-along nights instead of how they might read something differently in the performed moment. Her book begs for a greater expansion of this interstitial space, and how an audience member might occupy it.

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[P936.Ebook] Fee Download Rich Man, Poor Man: A Novel, by Irwin Shaw

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This bestselling novel portrays the clash between two brothers amid the turmoil of postwar America. It’s “a book you can’t put down” (The New York Times).
�Siblings Rudy, Tom, and Gretchen Jordache grow up in a small town on the Hudson River. They’re in their teens in the 1940s, too young to go to war but marked by it nevertheless. Their father is the local baker, and nothing suggests they will live storied lives. Yet, in this sprawling saga, each member of the family pushes against the grain of history and confronts the perils and pleasures of a world devastated by conflict and transformed by American commerce and culture.
�
A memorable novel by one of America’s greatest twentieth-century authors, Rich Man, Poor Man offers a gripping ride through America between the Second World War and Vietnam. It was made into one of the first primetime TV mini-series, and starred Nick Nolte, Peter Strauss, and Susan Blakely.
�
This ebook features an illustrated biography of Irwin Shaw including rare images and never-before-seen documents from the author’s estate.

• Sales Rank: #20521 in eBooks
• Published on: 2013-02-26
• Released on: 2013-02-26
• Format: Kindle eBook
• Number of items: 1

Review
“Shaw whisks us off from a standing start to a velocity well beyond familiar limits.” —The New York Times

About the Author
Irwin Shaw (1913–1984) was an acclaimed, award-winning author who grew up in New York City and graduated from Brooklyn College in 1934. His first play,�Bury the Dead�(1936), has become an anti-war classic. He went on to write several more plays, more than a dozen screenplays, two works of nonfiction, dozens of short stories (for which he won two O. Henry awards), and twelve novels, including�The Young Lions�(1948) and�Rich Man, Poor Man�(1970). William Goldman, author of�Temple of Gold�and�Marathon Man, says of Shaw: “He is one of the great storytellers and a pleasure to read.” For more about Shaw’s life and work, visit www.irwinshaw.org. � �

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27 of 29 people found the following review helpful.
Like Fine Wine..........
By A. J., Lawrence
How often does one ever reread "popular" fiction? This novel has remained firmly ensconced in my memory, and, consequently, I decided to revisit it some thirty-five years later. Very quickly it became clear why I had never forgotten the book as it contains all the elements that can make "popular" fiction such an enjoyable experience: well written prose, a captivating plot, unexpected twists, and, ahem, scenes of substantial sensuality. I cannot recommend it too highly!

14 of 14 people found the following review helpful.
American Anthropology
By J. Greenberg
About a decade ago, a film called "Beautiful Girls" was released, which made reference to the outstandingly villanous qualities of Irwin Shaw's creation Falconetti in Rich Man, Poor Man. I was younger than 10 when the TV miniseries debuted, but I have vivid memories of my mother watching every episode religiously. The character of Axel Jordache stands out most prominently in my mind.

Well, it's harder than heck to find the miniseries on VHS, let alone DVD, but as fate has it, I have a copy of the novel in paperback. All 666 pages. Summer reading! It's a mixed bag, unfortunately, but still quite good overall.

I can't help but chuckle that I just read what amounts to a trashy summer read from 1969 here in 2007. It is not Shaw's best work by a longshot. I believe he excelled at the short story form (think "Girls in Their Summer Dresses"), and even The Young Lions was far superior to Rich Man, Poor Man. Taken as anthropology, I got a glimpse of what the previous generation, my parents' generation, read for entertainment. Not bad at all.

Shaw's use of three main characters is a bit difficult to get used to. I'm not surprised in the least that the character of Gretchen Jordache was eliminated from the miniseries completely. And frankly, she could have been culled from the novel as well -- the parts involving her were by and large extremely dull.

Puzzling to me was the character Falconetti. The way those characters in "Beautiful Girls" raved over his villainy, I was sure he would be remarkable. But Falconetti is the most minor character in the entire novel -- the miniseries writers who adapted the novel must have expanded his character, possibly to compensate for the elimination of Gretchen Jordache. This makes it clear to me that infinitely more people are familiar with the TV adaptation than the novel -- very understandable.

I think many people who read the novel only scratch the surface. The divergent paths of the Jordache brothers and their trials and tribulations are superficial. Each character in the Jordache family, and some of the supporting characters as well, represent a facet of American society. The mother, Mary Jordache, represents the Anglo-Saxon beginnings of America. By no accident, she is married to Axel Jordache, a German immigrant, with Germans comprising the largest number of immigrants from the late-1800s and early 1900s. Rudy represents the accession of big business in the post-WWII boom era, and Tom represents the working man exploited and suppressed by big business. Gretchen represents the evolving attitudes of sex in American society and the confusion that must have beset women as they struggled to find identity in the professional world and family life. A minor character such as Brad Knight was representative of wild speculation in business and the excesses of prosperity.

Very interesting to me was the character of Teddy Boylan (Te DdyBoylan, The Diablo, The Devil). Not subtly named, and with many overt references to his nature, Shaw's treatment of the devil as a mostly ordinary, ultimately irrelevant character is thought-provoking. All three of the main characters are influenced by the Devil -- Gretchen sleeps with him, Rudy vows to emulate him, Tom utterly rejects him, and it's no surprise that in the end, Tom has the most spiritually satisfying life, with a duration only slightly longer than Francis Macomber's.

By the time he wrote Rich Man, Poor Man, Shaw was already adapting his earlier works for the screen, and this novel often reads like a screenplay to its detriment. I suspect that watching the miniseries would be more enjoyable, but I have no regrets taking a week out of my life to read the novel.

14 of 14 people found the following review helpful.
A page-turner, hard to put down
By SusieQ
This novel's plot takes the reader through the highs and lows of the Jordache family, from 1945 to 1968, through the lives of its cleverly drawn and vigorous characters.

Most of the plot is propelled by Rudy Jordache's rise from a slummy district of a small upstate New York town to wealth and the beginnings of a political career, but for me the most sympathetic character is Tom Jordache. Tom, after a life of being knocked around and ending up in trouble, finally wins out over his unloved beginning; wins out over his "whole rotten life" (as he calls it, in a conversation with his uncle), and finds a measure of peace. Gretchen and Rudy, his sister and brother, are less admirable, but somehow the reader doesn't despise these characters; all the siblings are ably and realistically drawn, and their stories are consistently interesting.

I don't look for deeply profound 'meanings' and revelations in bestselling books like Rich Man, Poor Man; just a good story well told. It's a big, robust, multi-generational family saga, and Irwin Shaw tells it excellently.

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The rich and powerful take what they want. We steal it back for you.

When a disreputable dealer starts swindling aged and ailing comic-book creators out of their wealth—and their high-valued comics and artwork—the daughter of one victim comes to ex-insurance investigator Nathan Ford and his team of counter-crooks for help.

Their scheme: run a con at the Comic-Con International, where the crook intends to sell the goods. But there’s more going on than simple theft. An arson plot is in motion that will not only destroy countless rare collectibles, but may end up costing lives.

With time short, the team must take down a ruthless mark whose true motives have yet to be revealed…

• Sales Rank: #95930 in Books
• Brand: Brand: Berkley
• Published on: 2012-12-31
• Released on: 2012-12-31
• Original language: English
• Number of items: 1
• Dimensions: 6.70" h x 1.00" w x 4.30" l, .35 pounds
• Binding: Mass Market Paperback
• 320 pages

Features

• Used Book in Good Condition

About the Author
Matt Forbeck has been a full-time writer of both games and fiction since 1989. He has designed collectible card games, roleplaying games, miniatures games, board games, and logic systems for toys and has written short fiction, comic books, novels, screenplays, and computer game scripts and stories. Matt belongs to the International Association of Media Tie-In Writers and the International Thriller Writers and is a member of the Madison chapter of the International Game Developers Association.
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37 of 37 people found the following review helpful.
Lets go steal a Book Review
By JohnPatrickMCP
I have been a fan of the Leverage TV show since the first episode and it is the single oldest series recording on my DVR. Add in the fact that this book revolves around the crew running a job at Comic-Con International and I couldn't believe my luck when I got the opportunity to receive an early copy of the book to review. Unfortunately with the announcement that the series will not be renewed for a sixth season our only hope is that the franchise may live on with a series of novels. So without further pleading for more Leverage, lets go steal a book review.

The Con Job takes place between The Gold Job, episode 316, and The Radio Job, episode 317. Simon Curtiss is a lifetime freelance comic book artist who has just come from his wife's funeral. In order to cover her medical expenses he contract a man named Lorenzo Patronus to sell a collection of his original artwork that he had been saving as a nest egg. Since he was only a freelance artist he had no insurance or retirement plan it was the only savings he had. Unfortunately Patronus has no intention to deliver on the money and the stress sends Curtiss to the hospital and his daughter to McRory's pub. She informs Nate of her fathers troubles and Patronus' dirty dealings. But because her father willingly gave him the artwork to sell the police can not prosecute him for theft. The only recourse they had would be to sue him for breach of contract and that would take time and money that her father didn't have. But she explains that Patronus took more than her fathers artwork. He preyed on his desperate need to provide for his wife at the end of her life. He took his dignity. Nate agrees to help her, help her father.

Nate assembles the team and Hardison gives them the run down on Patronus. Simon Curtiss isn't the only artist Patronus has pulled his scam on. If fact he has been using Simon Curtiss name to lure in other artist to take advantage of. Patronus is setting up a huge auction to liquidate the artwork under the guise of donating a token portion of the proceeds to the Hero Initiative, a charity that ironically was set up to help financially support aging freelance comic book artist. The auction is being held at the largest gathering of comic book enthusiast in the world, Comic Con International. While Hardison is truly geeked about the opportunity to mix work and pleasure the rest of the group is not so enthusiastic. Trying to run a con in a building holding over a hundred and fifty thousand convention goers adds plenty of opportunities for things to go wrong, but if they don't intervene than the artwork will be legally sold to new owners and Patronus will be free to disappear with the money.

At first things go well and it looks like this might be an easy job. The team discovers that in addition to the artwork he has conned Patronus has added several pieces that are his own work. A little digging reveals that he had aspirations of being an artist in the industry but he was never able to make the grade. So they hatch a plan to dangle his life dream of becoming a published artist in front of him and Patronus is all to willing to use the money generated from the auction to fund the fictitious start up venture. But Patronus isn't the only factor in play. Another player is bankrolling him from the shadows for no apparent gain. Further complicating matters is the appearance of Cha0s. While the hacker showing up at the convention could be a coincidence, and Hardison goes missing after being seen with him, the con start unraveling. The team must find Hardison, take down Patronus, and find out what his secret partner's angle is before the convention ends. No Spoilers here, you'll have to read it yourself to find out.

I enjoyed The Con Job, a lot. Tie-in novels are a very tricky genera because while you are usually familiar with the character from watching the TV show if you rely too heavily on that the novel will not appeal to new readers with interest in the property. It also adds the dimension of being able to get a glimpse into what the characters are thinking that you don't get from the TV show. The Con Job in a way is a tie-in of two properties, the Leverage TV show and Comic Con International. While I have watched every episode of Leverage I have never been to Comic Con so enjoyed that the Convention was more that just a setting. As cliche as it is to say it really was almost a character in the story. It affected every move the character made from trying to find a hotel room to what moves they could and couldn't make in a building with a hundred and fifty thousand possible witnesses. In addition to the mark and convention goers the team is rubbing elbows with the royalty of the geek world (although we never see Cha0s and Wil Wheaton at the same time, COINCIDENCE?). We also see each of the team members feel the pull of Comic Con on them. Sophie views the comic book art with the same appreciative eye she uses for stealing priceless works of the masters. Eliot reveals that he had once had aspirations of a possible career in the industry. Nate is taken back to memories of reading comic books with his son and the guilt of a promise to attend Comic Con together that could never be fulfilled. Parker never had a normal childhood so she is experiencing things with innocent excitement. It is also a chance for Hardison to share his love of all things Geeky with her as they take the first awkward steps past friends and into a relationship. The really impressive part of the story is that it was written while the author was in the middle of his campaign to write twelve novels in twelve months. It has the feel of a good episode of the show and was written by someone who was knowledgeable about the show and the characters, not something that was slipped into an already crazy writing schedule.

20 of 20 people found the following review helpful.
Let's Steal a Night's Sleep
By Heather McConaha
I received my copy of _Con Game_ and proceeded to sit up all night reading it. I am out a night of sleep, but am so pumped by the story I am not noticing one whit.

I would have loved to have seen this made into an actual episode just the scenes of Parker sliding down the roof of the Convention Center, and Eliot masquerading as Warren Ellis are worth the price of admission.

Let's Show TNT they never should have dropped the show.

13 of 13 people found the following review helpful.
Worth the wait...
By MJAFL
I have been checking Amazon for a Leverage novel monthly since the TV series started. Finally, not one, but three appeared at the same time. This was the first one available with the others only available for pre-order. I picked it up and now a little over a day later, find myself waiting for the next one. The book was well written, being true to the TV series and its characters. The author truly seems to be having a lot of fun tying Comic-Con, Hardison, Wil Wheaton, Cha0s, The Big Bang Theory and Comic-con information all together in a novel that has a fast, continually moving, well thought out plot line. Ok, a few times I thought the author was being a bit too cute with all his cross-references, but he did it well so it did not distract from the story-telling. I am sure if I knew more about the Comic-con world, I would have noticed more in-references. If he enjoyed writing it 1/2 as much as I enjoyed reading it, then he is an incredibly lucky man.

If you are looking for a book that solves world-hunger, keep looking. If you are looking to escape for a couple hours and have some fun in the Leverage universe, with characters as you have come to know them, give this a chance. Could some of the 5 stars be satisfaction at finally having a novel in the Leverage universe, yeah, possibly, but I suspect I'd have still rated it high even if it had not been the first after such a long wait. Now, only 2 months & 3 days before I can download "The Zoo Game" to continue this series. Oh well.

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• Sales Rank: #6083043 in Books
• Published on: 1600
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• Sales Rank: #15111627 in Books
• Published on: 2009
• Binding: Paperback

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• Sales Rank: #8469 in Books
• Published on: 2015-08-18
• Released on: 2015-08-18
• Original language: English
• Number of items: 1
• Dimensions: 9.63" h x 1.14" w x 8.00" l, .0 pounds
• Binding: Hardcover
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18 of 18 people found the following review helpful.
This is one of the best photography books on the market
By Chaos
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9 of 9 people found the following review helpful.
GREAT BOOK TO LEARN WITH
By iced
This is a great book for aspiring photographer. Very detailed book and beautifully illustrated, This book is very well made in a technical point of view. I also love how every chapter and how orderly it is. I definitely put this one as a collector's item. I ordered last January 8 and it was delivered yesterday. Great book, good customer service! Two thumbs up!

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Great book for a beginner or hobbyist
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The Newbery Honor Award Winner and New York Times bestseller Roller Girl is a heartwarming graphic novel about friendship and surviving junior high through the power of roller derby—perfect for fans of Raina Telgemeier's�Smile!�

For most of her twelve years, Astrid has done everything with her best friend Nicole. But after Astrid falls in love with roller derby and signs up for derby camp, Nicole decides to go to dance camp instead. And so begins the most difficult summer of Astrid's life as she struggles to keep up with the older girls at camp, hang on to the friend she feels slipping away, and cautiously embark on a new friendship. As the end of summer nears and her first roller derby bout (and junior high!) draws closer, Astrid realizes that maybe she is strong enough to handle the bout, a lost friendship, and middle school… in short, strong enough to be a roller girl.

In this graphic novel debut that earned a Newbery Honor and five starred reviews, real-life derby girl�Victoria Jamieson has created an inspiring coming-of-age story about friendship, perseverence, and girl power!

• Sales Rank: #1471 in Books
• Brand: Jamieson, Victoria
• Published on: 2015-03-10
• Released on: 2015-03-10
• Original language: English
• Number of items: 1
• Dimensions: 8.31" h x .83" w x 5.63" l, .0 pounds
• Binding: Paperback
• 240 pages

From School Library Journal
Gr 4–8—Twelve-year-old Astrid realizes that her interests are distinctly different from those of her best friend. Mesmerized while viewing a roller derby, she dreams of becoming a "Roller Girl" but discovers that the sport is considerably more daunting than she imagined and is not without physical, social, and emotional pain. Nevertheless, Astrid is determined to succeed. While this graphic novel provides interesting information about the sport, at its heart it is a story of friendship, exploring the tensions which test the girls' relationship as they move from childhood to adolescence. Astrid learns to be honest with herself, her mother, and her friends through a series of stressful events. The graphic novelist employs several excellent visual devices: angles to denote action and effective placement and space within panels. Jamieson's clever use of imagery is noteworthy. For example, desert and prehistoric depictions are used to suggest exaggerated perceptions of elapsed time. Her clothes shopping "hell" sequence is spot-on. Panels with stick figures are employed for comments, notes, and explanations. A prologue effectively frames the story and the realistic style with full-color art is reminiscent of the work of Raina Telgemeier. While at times some panels are a bit text-dense, the story will engage readers who will identify with Astrid as she deals with frustrations and disappointments. It will especially appeal to those whose aspirations fly in the face of convention. Offer this comic to fans of Telgemeier's Smile (Scholastic, 2010) and Laura Lee Gulledge's Page by Paige (Abrams, 2011).—Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY

Review
A Newbery Honor book
A�New York Times�Bestseller
A Spring 2015 Indie Next Pick
A�New York Times Book Review�Notable Children's Book of 2015
A New York Public Library Best Book for Reading and Sharing of 2015
A�Publishers Weekly�Best Book of 2015
A�School Library Journal�Best Book of 2015
A�Kirkus Reviews�Best Book of 2015
A Top 10 Latin@ Book of 2015
A�Parents Magazine�Best Children's Book of 2015
A Chicago Public Library Best Book of 2015
A Texas Bluebonnet Award 2016-2017 nominee
A 2016 YALSA Quick Picks for Reluctant Readers selection
A 2016 YALSA Popular Paperback selection
An ALA Notable Children's Book of 2016
A 2015 Nerdy Book Club Award Winner for Best Graphic Novel



“Roller Girl's message of self-discovery, friendship, and perseverance will roll its way right into your heart.” —Raina Telgemeier, New York Times bestselling author of Sisters

“This spiky, winning graphic novel captures the bittersweetness of finding a new passion and saying goodbye to your former, more uncertain self.” —New York Times Book Review

* "Jamieson captures this snapshot of preteen angst with a keenly decisive eye, brilliantly juxtaposing the nuances of roller derby with the twists and turns of adolescent girls' friendships...Full of charm and moxie—don't let this one roll past." —Kiruks,�starred review

* “The story will engage readers… Offer this comic to fans of Telgemeier’s�Smile�and Laura Lee Gulledge’s�Page by Paige.”—School Library Journal, starred review

* "Readers will stand up and cheer."—Publishers Weekly,�starred review

* "Jamieson’s dialogue captures coming-of-age…so authentically"—Horn Book, starred review

*�"[A] sharp and engaging graphic novel”—BCCB, starred review


"Visually, Roller Girl is very appealing — think Lynn Johnston with a modern edge — but it's the storytelling that really sets this graphic novel apart…A great choice for tween girls, whether they're remaking themselves, renegotiating friendships or just weathering the stormy seas of early adolescence." —Chicago Tribune

About the Author
Victoria Jamieson received her BFA in Illustration from the Rhode Island School of Design. She worked as a children’s book designer before moving to Portland and becoming a freelance illustrator. She has also worked as a portrait artist aboard a cruise ship, and has lived in Australia, Italy, and Canada. She maintains a not-so-secret identity as Winnie the Pow, skater with the Rose City Rollers�roller derby league.


From the Hardcover edition.

Most helpful customer reviews

17 of 17 people found the following review helpful.
MUST-READ for Middle Grade Girls
By hollss07
I'm a 5th grade teacher and my students got in line to borrow this book from me! I recommended it to one of my students, a quiet girl who was often at odds with classmates and had trouble engaging in school. She returned it to me with a big grin on her face in just 48 hours. After that, it moved around from girl-to-girl until the boys heard about it and started borrowing it as well. It's an engaging story that speaks to this age group, especially girls. The main character is her own person trying to find her niche while dealing with friendship issues and self-doubt, practically the definition of a middle grader. It's funny and subtly teaches a valuable lesson about how to stick to something (including yourself - "To thine own self be true.") and not give up. Really great book!

14 of 14 people found the following review helpful.
ROLLER GIRL is a Power Jam for Victoria Jamieson
By Paul Steven Sizer
3 years ago, I fell hard in love with roller derby when my wife joined our local league and it changed her life. It changed mine also, and I've gotten untold amounts of enjoyment supporting this sport, but also seeing how essential it is to the women who participate in it. Victoria Jamieson has nailed the essential spirit of roller derby in ROLLER GIRL, by giving it the respect it deserves and presenting the sport for exactly what it is; hard, tough and rewarding.

Lead character Astrid's journey into derby is exactly what it needs to be; exciting, tough, and sometimes filled with hurt, both physical and emotional. Jamieson rides the line expertly in keeping the drama of the story compelling and engaging, but also not shying away from the reality of not always having a simple and clean resolution to all the problems. While this is an excellent young reader's book, it does not talk down to the audience, and lets the reader get all the info about Astrid's experience first hand, and then lets the reader see how she deals with it. This is always tough for an author to assume and trust their readers to not need to be hand held through a story, but Jamieson does it with good rewards for the reader who does follow along. She gets the reader up to speed with how roller derby works without bogging down the narrative, and throws in nice little Easter Eggs for experienced derby lovers to catch.

The art is also a good balance; whimsical as it needs to be, but also accurate enough to sell the real life aspects of derby. Jamieson does a good job of showing Astrid as someone who can cry and be frustrated without resorting to tropey "fragile female" shorthand, and also showing her being tough and feisty like a young tween would be. The "kid logic" works to great effect for letting Astrid grow and learn about herself and her friends in the story, again a wise and well-played storytelling win for Jamieson. My love of derby comes from seeing the athletes figuring themselves out in the sport and becoming stronger and more confident people, and ROLLER GIRL does that very, very well. It's crafted with love of the sport, but it also respects that roller derby is able to be very personally attuned to each and every woman that participates in it.

ROLLER GIRL hits all the right points about roller derby, like a blocker making a door for her jammer to fly through. A power jam of a graphic novel.
HIGHLY Recommended.

8 of 8 people found the following review helpful.
As@ Turd--really?
By amanda vega
My 10 year old daughter liked it a lot. She showed me where the book said, "as@ turd." I really didn't enjoy explaining that to her. Other than that, all was well.

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[F765.Ebook] PDF Ebook God@Work, by Rich Marshall

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Discover how He wants you to step into a realm of ministry and fulfillment you have never dreamed possible. Learn how your work is the powerful dynamic of God's purposes for your life.

• Sales Rank: #362145 in Books
• Color: Multicolor
• Published on: 2005-01-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .39" w x 6.00" l, .59 pounds
• Binding: Paperback
• 160 pages

Review
...He delivers the electrifying punch to vivify and to equip the kings camouflaged in blue or white collars. -- Dr. Reba Rambo-McGuire Revivalist, Singer, Author

...It affirms God's invitation to them to see their work as a God-ordained calling. -- Os Hillman President, Marketplace Leaders Author, TGIF: Today God Is First

...The principles in this book will help the kings and priests (church leaders) to work together to heal their broken cities. -- Dr. Jack Deere Dean, Wagner Leadership Institute

...a must-read book for every Christian businessperson. -- C.W. Randell President, Federal News Service Washington, DC

...a must-read for everyone who either feels, or wants to feel, the hand of God on his or her life. -- Thorne Auchter former Adminstrator Occupational Safety and Health Administration

...practical, concrete, and immediately applicable. I encourage you not only to read it, but to study and apply it. -- Sergio Scataglini President, Scataglini Ministries, Inc.

I found it a wonderful affirmation for God's business call on my life. -- John D. Beckett President, R. W. Beckett Corporation Author, Loving Monday: Succeeding in Business Without Selling Your Soul

Rich Marshall's book, God@Work, is an excellent treatise on the subject of marketplace reconciliation... -- Ed Silvoso President, Harvest Evangelism

This book offers a road map to unity in Christ to the glory of God. -- Jay Bennett The Kingdom Oil Company Minneapolis, Minnesota

This cutting-edge book needs to be in the hands of every Christian leader in our country! -- C. Peter Wagner Chancellor, Wagner Leadership Institute

About the Author
Tommy Tenney, has ministered in more than 72 countries. Three generations of ministry in his family heritage have given Tommy a unique perspective on how to share the Gospel today. Tommy spent 10 years pastoring and has spent over 20 years in itinerant ministry. Tenney and his wife, Jeannie, reside in Louisiana with their three daughters and two Yorkies. www.godchasers.org

Most helpful customer reviews

7 of 7 people found the following review helpful.
A Book that Leads to Purpose
By A Customer
As a recently saved Christian and a small business owner I found this book very meaningful and full of purpose. It has helped me to discover that my business is my annointing from the Lord.

7 of 8 people found the following review helpful.
Are You a Bored Christian?
By Cascade Mtn. Girl
Many Christians become pew-sitters and feel bored with their lives. Spiritual apathy can result as they suffer from a non-Biblical but traditional mindset that "professional" ministers are the really special ones while they are just ordinary nobodies. The Bible states that everyone is relevant and needed in the kingdom of God; each one with a destiny and ministry! This book is inspirational and helps us to see a place where each person can express who God created them to be and use it for the upbuilding of the kingdom. A liberating paradigm shift!

5 of 5 people found the following review helpful.
Powerful
By S. Arriens
I recommend this book to everyone I work with. I am in network marketing. This book has improved many businesses in this industry.

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[Q573.Ebook] Ebook Download Geometry for Enjoyment and Challenge, by Richard Rhoad, George Milauskas, Robert Whipple

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Geometry for Enjoyment and Challenge

• Sales Rank: #20649 in Books
• Published on: 1991-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.30" w x 8.00" l, 3.55 pounds
• Binding: Hardcover
• 784 pages

Most helpful customer reviews

0 of 9 people found the following review helpful.
Excellent!!!
By Jung Chin Huang
This book is in very good shape without any damage on it.
It is clean, neat.

10 of 12 people found the following review helpful.
An Excellent Geometry text
By Duane N. Burghard
I took Geometry at New Trier (where all of the authors taught) with Dr. Whipple's wife as my teacher back in 1980-81 (the year that the first version of this textbook came out ... we were the test students for it and reveled in finding errors). I'm not sure whether I agree with the reviewer who said that it requires a good teacher (certainly I was blessed to have one of the very best), but I am amazed at how the book has stood the test of time. My children are growing up hundreds of miles from New Trier, but since I kept books like this one, plus every assignment, test and quiz associated with it, I have literally been able to recreate the experience. I doubt that I teach it as well to my children as the Whipples do/did, however my daughter is doing decidedly better than I did (and at a younger age). Perhaps I give the book too much credit, perhaps my experience with it is inextricably linked to having one of the authors as a teacher, but the year i took this course with this teacher changed my life (the year before I received failing grades in Algebra, the year after I finished the Trigonometry class at New Trier with a 104% average (extra credit)). In any case, as I now teach this material to my children, I am VERY impressed by how easy the book is to follow as a textbook, how well the discussions lead to the sample problems which then logically lead to the problem sets. The progression of concepts it employs is equally impressive, leading the reader through the subject in a very logical manner. As I look at it now, I think it really is a "Goldilocks" text (not too hard, not too simple, just right) and I have found it indispensable in educating my children about Geometry. It has my strongest possible recommendation for any young person wanting to learn this subject.

16 of 20 people found the following review helpful.
Good geometry book
By Michael S.
This book is old for a school textbook, but it is still pretty good. The problems are not bad, and explanations are pretty good. I do wish that the book would sometimes give more information on sample problems. Also, more detailed answers in the back of the book would be nice (I doubt the publishers would ever do this nor teachers wouldn't like it!). Still a good book. I like Algebra better than Honors Geometry. I had no choice in texts, I just took what the school gave me. If you want to self-study geometry, this book would probably be good too - although I would advise buying an answer booklet for self-study as you will probably need it.

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