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Othello (The Pelican Shakespeare), by William Shakespeare
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The New York Theater Workshop's production of Othello, starring Daniel Craig and David Oyelowo, and directed by Tony award-winning director Sam Gold, opens in November. This production is sponsored in part by The Pelican Shakespeare series and Penguin Classics.
This edition of Othello is edited with an introduction and notes by Russ McDonald and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series.
The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Sales Rank: #54798 in Books
- Brand: Penguin Books
- Published on: 2016-10-04
- Released on: 2016-10-04
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .60" w x 5.10" l, .81 pounds
- Binding: Paperback
- 208 pages
- Penguin Books
About the Author
William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He died on April 23, 1616, and was buried in Holy Trinity Church, Stratford.
Russ McDonald (editor) is a professor of English at Goldsmiths College, University of London. He is the author of The Bedford Companion to Shakespeare.
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The evils of Iago
By E. A Solinas
"Othello" is sort of a companion piece to "Macbeth" -- both are about noble, upstanding men who are destroyed by their own weaknesses. But where Macbeth was ruined by ambition, Othello's destruction comes from his jealousy and gullibility. And the play is really ruled by the nastiest, cruelest, most devious villain Shakespeare ever wrote.
That villain is Iago, a high-ranking soldier who has a grudge against the noble Moorish soldier Othello, who has just eloped with the beautiful Desdemona. Using a nobleman as his pawn, Iago first turns Desdemona's father against Othello, but the new soldier defends himself agains claims of witchcraft.
But Iago's true plan is far more devious, as he disgraces Othello's lieutenant Cassion and plants Desdemona's handkerchief in Cassio's room. Othello finds himself confronted by a chess game of lies, deceit and suspected infidelity, and his jealousy reaches a fever pitch that can only end in death.
Yeah, the real star of this play is undoubtedly Iago. This is the most repellent mixture of absolute malicious evil and crazy-smart intellect that anyone could write -- he is the person you love to hate, even as you admire how devilishly perfect he is at playing the chessmaster who whispers poison into your ear while playing your "friend." He doesn't quite think of EVERYTHING, but he comes close enough that you would NEVER want to deal with someone like this.
But this tragedy is also underscored by the depiction of Othello, a truly noble and loyal soldier who is turned into a deranged homicidal mess. It's somehow even more disturbing to see him deteriorate than it was to see Macbeth, because this guy was on top of the world in every way -- he was smart, eloquent, a brilliant soldier and a newlywed. And look what happens to him.
And Shakespeare deftly builds up this tragedy with a subtle, interconnecting web of lies and misdirections, with the tension building slowly until something has to blow. His writing is typically powerful, generating some quotable phrases ("It is the green-ey'd monster") and lots of cynical, dark dialogue ("Who would not make her husband a cuckold to make him a monarch?").
"Othello" is a strangely fascinating tragedy, with Shakespeare absorbing us again in the tale of a good man corrupted. Definitely a good, if harrowing play.
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